Mary Talusan (Lacanlale) publishes and should be cited as “Mary Talusan.”

“Gendering the Philippine Brass Band: Women of the Ligaya Band and National University Band, 1920s-1930s.” Musika Jornal 5: 33-56, 2009.

“Marching to ‘Progress’: Music, Race, and Imperialism at the 1904 St. Louis World’s Fair,” chapter in Mixed Blessing: The Impact of the American Colonial Experience on Politics and Society in the Philippines edited by Hazel M. McFerson. Westport, CT: Greenwood Publishing Group, (forthcoming reprint 2009)

“From Rebel Songs to Moro Songs: Martial Law and Muslim Filipino Protest.” Special issue of “Music Hybridities” in Humanities Diliman Journal 7(1): 85-110, 2010.

“Music, Race, and Imperialism: The Philippine Constabulary Band at the 1904 St. Louis World’s Fair.” Philippine Studies Quarterly 52(4): 499-526, 2004.

Cultural Localization and Transnational Flows: Music in the Magindanaon Communities of the Philippines, Ph.D. dissertation, University of California, Los Angeles, 2005. (Access the accompanying CD and DVDs at UCLA’s Ethnomusicology Archive.)

Reconstructing Identity: Appropriation and Representation of Kulintang Music in the United States,M.A. thesis, University of California, Los Angeles, 1999.

Articles that quote my work:

Cunningham, Roger D. 2007. “‘The Loving Touch’: Walter H. Loving’s Five Decades of Military Music.” ARMY HISTORY, PB 20-07-1 (No. 64).

Photo publication:

University of Hawaii, Manoa. 2007. Center for Southeast Asian Studies organized “Islamic Cultures in Reflection: A Southeast Asia Photograph Exhibition.” 

Philippines' first celebration of Eid ul-Fitr as a national holiday, 2002.